Showing posts with label Stacian. Show all posts
Showing posts with label Stacian. Show all posts

Wednesday, October 18, 2017

A little Show/Album Review - Stacian "Person L" release party! with Lohza, Gel Set and Dimentia!


     Despite being so burned out that day, I am so glad I went to this show.  The three opening solo female fronted acts caught my attention for the night. It was Stacian’s night to shine with her release “Person L” full length E.P. with support from solo femme acts Lohza and Gel Set. Headlining the night was Dimentia from the hard-wired music collective, Katabatik. 

Lohza, Gel Set and Stacian 10-7-17 Eli's

  Lohza opened the evening in front of the keys delivering uncontrived yet engaging soundscapes enchantingly lit by a modest candelabra. A slower tempo, minimal singing and  less beat focused, it was entrancing without putting you to sleep. I was imagining putting this album on once I got home that night to wind down after all the dancing I was about to do. Upon getting her digital format only EP- I was happy to find it was the perfect music to do so that night, early morning, my room gently lit with candles amongst my new potted plants. “Night Bay” is well suited for your “good night mornings (1)", “Topic Hole” meditates with more earth tones, and “1987” is a perfect backdrop for an early 80’s melodrama (yeah, I was thinking Twin Peaks). Find a punk- ask them for her email, buy the digital EP.

Gel Set (LA)…. I just kept thinking of the words “lucite” and thinking of clothing made of shiny vinyl and jelly sandals. I just had to see it.  Turning towards more of the  electronic -beat side element of the evening, she brought brave innocence with miminal wave and moody moments that suggested  down tempo dancing and swoon swaying. Although at times her live set I felt could be a little more polished (maybe technical difficulties? Hell, it is Eli’s) I was determined to get her LP as well. 
I was immediately invited in to “Don’t you miss Me” with the un-fussed yet bouncing digital sounds of early Depeche Mode- A Broken Frame era and continued to be wooed by the smokey sadness of "Sexual Numerals" and taken in by the clean pops of "Bounce".  

Stacian always brings the bodies out to dance in every live performance I've seen of her. "Don't worry, I'll wake them up" I remember her saying at one drowsy party, before her set. Her sound is an edgy, techno noir-wave trance and she sings with a sensual aggression channeled through a dark wave filter.   Her record label, "Night School” describes her as “(Stacian) is Person L, is Oakland resident, solo artist and academic Dania Luck. Beginning in the American Mid West, Stacian has been an ongoing Bay Area concern since 2008, deeply involved in the minimal wave and underground electronic music scene. A dystopian vision of alienated humanity, broken communications and technoid mal-forms, Person L is her most fully developed full length and a leap forward from 2012’s Songs For Cadets. Moving away from the primitive Cold Wave of previous work, Person L manages to create a bleak dystopia without relying on Ballardian cliche, though still invoking concrete prisons and urban disassociation. Person L is a throbbing, murky underworld that revels in imperfections, a submersive, digital swamp bleeding through the club.”
 First side of her LP allures you with lo-fi, dark-side vocals and Subtonix-y feels on the keys. The second side brings you to the steely and hypnotic mode of post -apocalyptic dance electro via two analog synths, sequencer and drum machine. Side two is less vocal and pulls you right in with the  provocative first song “Dirgent” and to the perfect last song “Gnomon” with its’ keenly chosen samples.   I got lost in it and that's what I wanted it to do. Good late night music. Good fucking anytime music. 

Dimentia brought his knob-laden,  Katabatik-ness to the mix, which I love myself some Katabatik. He opened for Front 242 the week prior! His technical intensity is on point. However,  the ladies stole the show. 



Thank you all for your passion! Make sure you check out all these acts! 






(1) "good night mornings" is a thing my friend Richard Toomer (SF/NYC comedian and philosopher) likes to say. I can't take credit for it, but I know those days where you stay up all night to the morning and there is the perfect song for that specific moment. <3

Tuesday, February 14, 2017

V.E.X// Night Work// Stacian// The Creatrix upcoming SF show!

For those living in S.F. who cringe at the thought of trying to make the last BART at midnight, here is a night when Oakland comes to you. On Tuesday, February 21, the Elbo Room features an "evening of avant-garde industrial, space synth, and minimalistic cold wave" among other "delights" featuring V.E.X., Night Work, Stacian, and The Creatrix, with DJ sets by Nihar Bhatt (Left Hand Path/Surface Tension) and Demian Glas (Milwaukee).

V.E.X is a meritage blend of no-wave, queercore, and slime punk (you may have heard of their previous, more rock-focused band Moira Scar). Roxy Monoxide and LuLu GammaRay play dual synths, both do vocals, and they sometimes even add sax for an improv jazz element. They came out with two albums last year, Codex Hex ( Cool World/ Fantasy 1 Records)  and Insectsex (the latter on Oakland's own Ratskin Records), and are currently working on new material. Lyrically focused on pro-community, anti-fascist, and anti-racist messages, they take another step in removing any ego-driven barriers by performing in bizarre and bejeweled masks made by LuLu. V.E.X. will steal your little mutant heart. 

Night Work is an experimental industrial pair formed by Henry Larsen (vocals) and Jamile Jackson (drum machine/noise). In their live show, they might make you feel uncomfortable at times, but that's the point. Slamming drum machine work, jarring beats, and vocals that blend screaming and spoken monologues create a performance that is captivating and unnerving — think of splicing Swans' Filth with a Boyd Rice album. "Night Work is a reaction to the evils of our society," explains Henry Larsen. "It is a survival mechanism for our spirit amongst the cancer of capitalism." You won't want to look away. 

With two analog keyboards, a sequencer, and a drum machine, Milwaukee-born solo act Stacian fuses minimal/cold wave sounds with darkwave female vocals spiked with nostalgic moments of '90s techno. Inspired by Kraftwerk and Doris Norton, what you get is moody, haunting club bangers to sway and dance to. Also make sure to check out her most recent album, the ambient collection Drones for Everyday Use. Swoon!

More approachable in delivery, The Creatrix is all electronic melodies and cosmic-wave/techno meditations, sonically plush yet cool in tone, and erring on the side of hypnotically upbeat grooves. No vocals here, but who needs that when you're going down the rabbit hole of rave cave soundscapes? "Breach in the Hulll" is a fine example of this mind/body journey.