Thursday, March 16, 2017

Aural Fixation: Steilacoom and their new singles release

"A picture is worth a thousand words and a song is the same coming from an aural perspective," Dave Han comments about Steilacoom, his latest and darkest collaboration with bassist Rob Hanson. As a guitarist and vocalist, Han is not new to the scene: His first more shoegaze-y infused post punk output was Astral in 2001, followed by the more trip-hop focused Foreign Cinema (with Natalia Silva) and various other local bands.   


Steilacoom's first 7-inch single, Sister/White Dog, is a flirtation of "happy/sad" Britpop/post-punk guitar with deathrock bass that spoons naturally with fuzzed-over vocals that don't shy away from a sense of longing and desire. Reminiscent of The Chameleons, A Place to Bury Strangers, Soror Dolorosa, and She Past Away, it captivates with its meshing of early '80s post-punk and a darkwave-nouveau sound. "Sister'' is a perfect example of this, engaging us right away with its come-hither bass and a sensual hypnosis in its upbeat, echoing guitar riffs. With "White Dog," I caught myself thinking, "Wow, this could have been on the Killed by Deathrock comp" as the opening of the song presents more prominent vocals, hints of flanged bass, and subtle effects surrounding the chorus (think Joy Division/Death in June). With its ability to make your body involuntarily groove in the most desirable way, I can envision this track on the dance floor at any goth night in the near future.  

Steilacoom at The Stork Club -Oakland

Steilacoom is already garnering attention — Sister/White Dog was selected by Performer magazine as "Best Vinyl of the Month" in January of this year — and they have all the components of keeping you actively listening yet on the brink of losing yourself off a cliff of emotion. Check out Steilacoom for show dates here (if you go to their show, maybe they will tell you what their band name means — is it about the town in Washington?) and listen and buy their stuff on the links at the bottom!!!!

Steilacoom at the Neck of the Woods -SF



AWWWW YEAH!




Thursday, March 9, 2017

Group Rhoda// Cost/Worth// Terror Apart// Ssleeping DesiresS--3/14 at the Elbo Room

Written by John Graham

This week brings a three-city showcase of sonic oddities to the Elbo Room on Tuesday, March 14, with two Bay Area bands bookending a pair of Portland acts. Representing SF (though originally from PDX) is Ssleeping DesiresS, the extra sibiliance in whose name gives a clue to the serpentine nature of their post-punk songwriting, with Gabriel Ramos' baritone moans slithering between retro drum machine beats, gothy guitars, and synthesizers that mix equal parts Soft Kill and Soft Moon with a dollop of Drab Majesty. Terror Apart is the solo act of Portland's Anna Leja, whose mesmerizing minimal synth treatments are punctuated by sharp percussive thumps and ghostly vocals. Cost/Worth — a collaboration of Portland projects Cost and Tetrad Veil — plumb the night's deepest abysses with their explorations of cavernous dirges, ominous drones, and dark ambient/industrial noise; if you've got a murderous itch, this should satisfy your cravings for Lustmord. And finally there's Group Rhoda (a.k.a. Oakland's Mara Barenbaum), who lightens up the proceedings with electronics that are tropical and trippy — albeit more bouncy than brooding — with Barenbaum's vocals giving the whole affair the heady feel of Chris & Cosey's Techno Primitiv entrancements.